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Your Memories
Thanks so much to everyone who have sent us their memories so far. If you'd like to add your own show story to this page just browse the archive and click the My Memory bubble.
Phil Reynolds's memory of Single Spies (2012) ...
A story I've told often but one that deserves being recorded here for posterity: I played Guy Burgess in the first of the two plays, and Elliot Relton-Williams was my Russian boyfriend, Tolya. On the opening night there was a severe snowstorm; Elliot had been having a quick ciggie outside the back door of the theatre wearing his heavy Russian overcoat and fur hat, and made his first entrance into my Moscow flat covered in real snow!
Karl Stafford's memory of Crime And Punishment (1971) ...
My first involvement with the Criterion was assisting Jeff Hadley with the set construction of Crime and Punishment. In those days, money was tight and materials short so there was a lot of what we now know as recycling. All nails were recovered and straightened, screws were few and far between and the wooden beer crates were repurposed for all manner of uses on stage. There was always the smell of glue size used for both the powder scenic paint and canvassing of flats (none of this plywood malarkey back then). Does anyone remember the Dravo hot air blower in the wings?
Peter Gillam's memory of Daisy Pulls It Off (2006) ...
This was my first production at the Criterion and my first anywhere.
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Karl Stafford's memory of Crime And Punishment (1971) ...
This play marked my first involvement with the Criterion. Assisting Jeff Hadley with the set build, I distinctly remember the welcome extended to me by the membership secretary (a certain Keith Railton) and the other cast and crew members. During the course of this play, Messers Bennett, Hadley and Brown became Geoff, Jeff and Terry outside of Caludon Castle while the were still Sir during the day at school. Crime and Punishment introduced me to the amazing Criterion “family” which has been part of my life ever since.
John Fenner's memory of Still Life & The Browning Version (2010) ...
Probably my favourite role at the Criterion. Such a privilege to play the character of Andrew Crocker-Harris in Ruth Miller's excellent production.
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John Fenner's memory of Great Expectations (2009) ...
Loved playing the disreputable but ultimately beneficent Magwitch. My barber reckoned I looked "well-hard".
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John Fenner's memory of Death And The Maiden (2010) ...
A privilege to work with the esteemed Geoff Bennett on this classic play.
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John Fenner's memory of The Thrill Of Love (2014) ...
A joy working with this cast and director, with memories of visiting the "scene of crime" (The Magdala at Hampstead).
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Chris Firth's memory of The Babes In The Wood (1988) ...
This was my first time in a production at the Criterion. The thing I remember most about it was that at the end of the final dress rehearsal, I had bundled up my costume (which I was sharing with Gareth Withers) and stored it under a table. Linda Holmes, who was doing wardrobe was not very happy with this (quite rightly)! She asked me who I thought would be ironing the costume!? At the time I think I thought there was an ironing fairy (my Mum), but after this quickly realised that clothes left on the floor were NOT magically pressed. Life lessons taught by my friends at the Criterion.
Nicole Firth 's memory of Stepping Out (1999) ...
Glorious memories of learning how to tap dance. Jon Elves not turning up to many dance rehearsals but somehow being called a ‘professional dancer...’
Nicole Firth 's memory of Arsenic And Old Lace (1997) ...
Remember feeling very lucky to be part of this one. Such great performances. This was the performance where the wonderful Doug Griffiths had to recite a list of countries every night..never quite got them in the same order or indeed the same list..brings a smile to my face remembering this one.
Nicole Firth 's memory of Snoopy (The Musical) (1997) ...
My first production at The Criterion. A bit of a baptism of fire! Having never done anything before, it was a case of just ‘going for it’. Directed by the fabulous June Pickerill, this was a fantastic experience and cemented some lifelong friendships in the theatre, all because of Charlie Brown and his dog.. “Where did that little dog go...’ It’s all Matt Sweatman’s fault....
Nicole Firth 's memory of Amadeus (2000) ...
So many wonderful memories from this production. Some quite scary, it was an exhausting role (Constanze) but mainly, an amazing experience. Never once did this feel anything less than a professional production, everyone was performing at the top of their game, both cast and crew.
Nicole Firth 's memory of Abigail's Party (2001) ...
This, for me, as Angela, was my absolute favourite show. A pleasure from start to finish. The fashion, the writing, the wonderful direction from the much missed Pete Wood. A really great play, made great because I got to share the stage with my friends each night too. Fabulous stuff.
Nicole Firth 's memory of Romeo and Juliet (2001) ...
Felt honoured to be a part of this one. Definitely felt I was seeing something very special, expertly directed by a very young Gareth Withers and superb performances by all in the cast, but seeing something very special from Nicol and Jamie. The music was used so well in this, it was just amazing to be around for.
Nicole Firth 's memory of Return To The Forbidden Planet (2005) ...
Vivid memories of being very hot and sticky for this one. So hot and sticky the costumes kept malfunctioning- namely our skirts kept falling off. Bucks Fizz eat your hearts out! Wonderfully camp, loads of fun. And the memory of Matt Sweatman dancing will stay with me for always...
Geoff Firth's memory of Inherit The Wind (1962) ...
My elder sister persuaded me to accompany her to see this production of Inherit the Wind. I was reluctant and had pretty low expectations of a little bunch of amateurs in an old disused chapel. I was so wrong. The production was stunning; a huge cast of very talented actors, a set which transported me into a realistic courtroom, lights, very professional setup. Little did I know then that six years later, I would be persuaded by a fellow teacher (the young actor who I had so admired in that production -John Hathaway) to return to the Criterion and join as an acting member. The rest is history.
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