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Criterion Theatre

Events

In the Bar
23rd May from 19:00 to 22:00
In the Bar
26th May from 14:00 to 17:00
Coffee Morning - Criterion coffee morning
In the Bar and Foyer
1st June from 10:30 to 12:30
In the Bar
14th June from 20:00 to 21:00
Coffee Morning - Criterion coffee morning
In the Bar and Foyer
6th July from 10:30 to 12:30
ONLINE PLAY READING: ORLANDO BY NEIL BARTLETT  Criterion members are invited to join a fun and informal online play reading of Orlando by Neil Bartlett on Tuesday June 11th at 8pm. Online play readings are open to all to attend and read or listen. Please just indicate you're coming along by using this registration link. [https://us02web.zoom.us/meeting/register/tZAkcumsqTwiHtfWOPKjO4lHdsq-Gz6PfAHY]     ABOUT THE PLAY:   From a teenage encounter with Elizabeth I, through infatuations, voyages and even a change of gender, Orlando lives out five centuries of life and love before they finally find the courage to truly be themselves. Neil Bartlett's sparkling adaptation of Virginia Woolf's famous fantasy finds powerful contemporary relevance in her vision of equal rights to love for bodies of every kind – and brings it to life on the stage with a kaleidoscope of theatrical styles, overseen by the haunting figure of Woolf herself. It premiered at the Garrick Theatre in London's West End in November 2022, [https://www.theguardian.com/stage/2022/dec/05/orlando-review-emma-corrin-garrick-theatre-virginia-woolf]in a production directed by Michael Grandage and starring Emma Corrin in the title role. Written for a diverse ensemble of nine or more actors, this adaptation will appeal to any theatre or company looking to entertain their audiences with a bold new take on this iconic tale of love and transformation. '_Neil Bartlett's fleet-footed, wildly imaginative but wonderfully disciplined adaption shines literal and metaphorical light on contemporary ideas of identity... an outstandingly original theatrical pleasure' Variety_ _'Joyful and groundbreaking... a triumph' Independent_ _'Neil Bartlett's adaptation captures all [the novel's] sexiness and spirit... it's splendid in every sense: passionate, camp as Christmas and as warmly celebratory, too' iNews_ _'An adaptation full of joy and hope and sense of possibility for the future' WhatsOnStage__ _  Any questions please feel free to email the facilitator Lucy via lucyhayton@hotmail.com
In the Comfort Of Your Home
11th June from 20:00 to 22:00
Members - AGM
In the Auditorium and Bar
17th July from 19:30 to 22:00

News

Hi all, Well, it’s all hands on Deck at the moment! As usual, there is a lot going on, so I thought it a good time to give a quick overview of all that is happening. A couple of weeks ago I was delighted to welcome the Deputy Mayor to the theatre for the official launch of ‘Who turned out the lights?’, the new audio book from the creative writing team at the Resource Centre for the Blind. I am very proud of the Theatres relationship and work with the Resource Centre, and this was a wonderful evening to launch this important collaboration that has taken a lot of hard work, creative talent, and effort to achieve. The pieces, written by the creative writing team at the centre led by the lovely Jessica Eastman, voiced by three experienced Criterion actors under the direction of our own Richard Warren, and recorded by Media Mania, is the first of what we hope will be several collaborations between us all. Further details are on the Criterion website under ‘News’ or on the Resource centre website: Who Turned Out The Lights | Coventry Resource Centre For The Blind (bandcamp.com) [http://email.criteriontheatre.co.uk/c/eJwUzT2ShCAQQOHTYKYFLaITEEziPfhphVqEqbbZrb39lNGrF33RGo1qQKtWpWe1bkYPyUYwWzz89pIQIJpl2Zw5gjTu8IdHmIdsQYKWGja1gIZ5UhJVXNWqYZEvVCi0DJQZKbfKCR0TTqFN_WcoNjF_bjG_BewC9tB-sTL9E96tU8DwHB6NOKEvucbJuxqDuz5TaJeA3RXfn_6lNnKninFsnUdOOJZ8Jr4Hsu_rFFqeuRR3jSch1oe_vgEAAP__N0JNNw] Our fantastic Customer Experience team and volunteers are busy preparing for May Day, with which we have timed the Springboard Festival week. May Day is always a good day for the theatre, and we will have all the usual events happening around the building, as well as showcasing and activities for Springboard. Obviously, this means a lot of work for all our members but especially the Customer experience team. There has never been a better opportunity to get involved and be a part of something special. Please do come along and support us or volunteer to help staff in what will be a very busy week. This is the second Springboard festival, building on last year’s groundbreaking event, a week of one act plays, poetry, music, and art, bringing together amateur and professionals in one space, with in house company performances and community/Criterion collaborations alongside external artists, musicians and theatre companies, poetry workshops and art exhibitions, it looks to be a truly exciting and interesting week. The hard work and effort that goes into the planning, scheduling and delivery of this event is immense and I would like to say a huge thank you to everybody who has worked so hard. I would ask you all to support us by coming to see us one evening (or them all!) It promises to be very special. Tickets are available online now, along with details of each evening’s events.  Talking of our hard-working Customer experience team, they have gone through some changes just recently, with Natalie Harrat having to step down from running the box office, as she and her family are relocating out of Coventry. Natalie has been a longstanding member of the theatre, previously sitting on the board as Finance Director, appearing in several shows and being a valued member of the Customer Experience team. On behalf of the board and the entire theatre I would like to say thank you to Natalie, you will be sorely missed. I would also like to thank Emma Padfield for stepping into Natalie's role and Helen McGowan for picking up the cleaning rota. I’ll mention it again…The Customer experience team are always looking for willing volunteers to help, many hands make light work, if you think you could support us now or in the future please do get in touch. You may have noticed our theatre looking a little better after some work to the frontage. This is the first stage, timed for May Day and the Springboard Festival, to improve the look of our theatre. You will see the original brickwork to the front has been revealed, repointed, and the woodwork repaired and painted. This has been completed in record time to hit our target and I must give a big thanks to Barabara Sowerby for being the driving force and to everyone involved with this achievement. This is not only the start of the work on the frontage, we are not finished yet,  but also some other major improvements around the place and is a small part of what has and is going on behind the scenes. I will be updating in detail on development, on a more regular basis, as we move forward.  Finally, I would like to say thank you to everyone who is working so hard in and around the theatre in so many areas. It really is impossible to mention by name everyone who is going above and beyond to keep our wonderful theatre moving forward. You make the theatre the place it is. You know who you are, thank you all. I hope to see you all soon, and please do not hesitate to get in touch with any questions or suggestions, chair@criteriontheatre.co.uk  Regards,   Jon, April 28th 2024
29th April
A NEW AUDIOBOOK FROM THE CREATIVE WRITING GROUP AT COVENTRY RESOURCE CENTRE FOR THE BLIND HAS BEEN RELEASED IN COLLABORATION WITH THE CRITERION. In the original print version of this book, 13 Coventry-based writers described their personal experiences of sight loss: from fearful to thoughtful, from feisty to wise, in poetry and prose. Now three actors from the Criterion Theatre - Anne Houston, Helen McGowan and Jon Elves- have brought these vivid personal stories to life in a new audiobook, directed by Richard Warren. The original book was praised for its honest, moving and often funny descriptions of living in a sighted world. This new audiobook means that people with sight loss can also enjoy the insights the writers share here. Recorded and engineered by Media Mania producer Dave Mills at Powerhouse Studios, this is the first of what we hope will be many collaborations between the three organisations. The audiobook can be purchased (£4 or more) from COVENTRYBLIND.ORG.UK/BOOKS. [https://coventryresourcecentrefortheblind.bandcamp.com/album/who-turned-out-the-lights] All proceeds from this audiobook go to CRCB to support further creative projects for people living with sight loss. To celebrate the release of the audiobook, the Criterion hosted a number of invited guests on Saturday evening (6th April) including Vic Minett from BBC CWR. Vic also invited Jess and Derek from the CRCB to talk about the audiobook on her Monday show, which you can hear via BBC Sounds [https://www.bbc.co.uk/sounds/play/p0hjmsgq]. The interview runs from 1.36.43 - 1.57.03.    
9th April

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The Homecoming

Jun 22nd to 29th 2024
Harold Pinter

Pinter wrote this two-act play in 1964, and it premiered in 1965. It is one of the playwright’s most unnerving works. It recently had a revival at The Young Vic in December 2023 starring Jared Harris. Joe Cole and Lisa Diveney.

Teddy brings his wife, Ruth, home from America for the first time to meet his family in London. The play is essentially one long power struggle between the male family members, with Ruth as the catalyst. The play is rich with meaning, picking at ideas of family, masculinity and the home, which despite the period setting, still have deep resonance and relevance today.

Not suitable for young children.

Reviews of the Play

"What to make of it in our post #MeToo age?...captures how fear, awe and neediness lie at the heart of misogyny." Arifa Akbar, The Guardian.

"There is a direct line to draw from the world of this play to the online toxic masculinity of today... This is a story about the impossibility of escaping your past, or your nature" Nick Curtis The Evening Standard.

EDI Assessment

In line with our EDI policy, we undertake an EDI impact assessment of all our artistic programming. This play deals with themes of misogyny, toxic masculinity and patriarchal control at the heart of a family. Set as a period piece in 1960s London, the play uses anachronistic language and portrays attitudes that were prevalent at the time. It can be cast completely neutrally on race/ethnicity. For the story narrative, playing genders are specified.

Anniversary Celebrations 2021

Criterion at night

February 2021-February 2022 was the 60th anniversary of the Criterion Theatre opening. Why not check out the wonderful interviews conducted so far with members reflecting on their favourite memories and stories about the Criterion over the last 60 years in our Criterion Memories project.

 

Coming Soon

Duncan Macmillan with Jonny Donahoe
Main House
Aug 31st to Sep 7th
Robert Icke/Duncan Macmillan
Main House
Oct 19th to 26th
Piers Torday
Main House
Dec 7th to 14th

Just Finished

Various
Main House
May 4th to 11th
Kate Bonna and Richard Marsh
Main House
Mar 16th to 23rd
Dawn King
Studio in the Auditorium
Jan 10th to 13th
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